Paul Thomas Anderson had a strong visual sense of what he wanted “One Battle After Another” to look like. Cinematographer Michael Bauman sat down for Variety’s Inside the Frame and explained that the ...
Add Yahoo as a preferred source to see more of our stories on Google. Popeye Doyle standing in front of a crowd of police in The French Connection (1971) - Bettmann/Getty Images Even during a decade ...
Paul Thomas Anderson had a strong visual sense of what he wanted "One Battle After Another" to look like. Cinematographer ...
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